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elle spoke to Gabriella of The Femcels about their album released January this year I Have To Get Hotter, produced by Ike Clateman (Bassvictim). Gabriella talks her and Rowan’s first meeting, lying, how to get over a crash out, the hoax of them being stylists and Pitchfork.
The Femcels are an electronic duo based in London, comprised of Gabriella and Rowan (Worldpeace DMT). A raw, unflinching, controversial and playful first outing by the duo speaks to the ugliness and discomfort of the female experience. It’s awesome.
Jefferson Chen, or Goodspace, Mathilde Polmard, Quentin Lind, and Pennie Chang join Matthew to discuss the upcoming FRESH LAUNDRY, an upcoming art exhibition turning Tāmaki Makaurau laundromats into unlikely music discovery destinations in May for New Zealand Music Month, that is currently calling for expressions of interest.
This week Chris discusses David Seymour's recent comments that Aotearoa could become a “high-value powerhouse” in the global cannibas export market, Helius Theraputics shuts down citing regulation, a study at Otago shows CBD oil eases endometriosis pain, and 'Sativa' and 'Indica' both make the 2025 list of declined baby names.
There is nothing hyperbolic about the term eclectic when applied to Amelia Berry's music career.
The producer, instrumentalist, songwriter and producer has worked across genres while always managing to maintain a particular feeling.
For this special edition of AudioCulture, Martyn Pepperell joins the show to discuss Berry's career. From early days in the post-punk trio Nice Birds to Berry's award-winning work under the moniker Amamelia.
You can check out Martyn's extensive profile here.
Peter Lineham discusses the phenomenon of the 'quiet revival', a term used to describe the rise of young men converting to Catholicism and Orthodox Christian denominations.
Laika reviews recent production Music Portrait of a Humble Disabled Samoan, the upcoming My Name is Rachel Corrie at Te Pou Theatre, and Words In Motion at Basement Theatre. Whakarongo mai nei!
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