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Various Artists with Sofia & Maya

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Various Artists w/ Sof and Maya: 24th April, 2026

Various Artists w/ Sof and Maya: 24th April, 2026 Various Artists w/ Sof and Maya: 24th April, 2026, 80.89 MB
Fri 24 Apr 2026

Sof caught up with artist August Ward about her solo exhibition World of Interiors on at Ivan Anthony Gallery.

And Maya caught up with artist Andrea du Chatenier about her exhibition Everything Falls on at Anna Miles Gallery.

Whakarongo mai <3

World of Interiors w/ August Ward: 24th April, 2026

World of Interiors w/ August Ward: 24th April, 2026 World of Interiors w/ August Ward: 24th April, 2026, 18.88 MB
Fri 24 Apr 2026

August Ward is an artist who grew up in Tāmaki Makaurau, whose primarily painting practice explores the visual signature and emblems of affluence and desire, consumption and the idealised female form – existing in the uncanny valley of womanhood, letting the contrast and intersection of imperfection and glamour lead the work both practically and conceptually. 

Her current solo exhibition at Ivan Anthony, World of Interiors, sees Ward furthering her exploration in this realm of subject matter, expanding her painting and drawing practice in scale and form, bringing these sculptural qualities into the works and space surrounding. Crystals adorning the canvas to form a necklace, ledges attached at the base of others with taxidermied mice, and a cavity for a Miss Dior perfume to perch, these symbols become physical adornments to the glamour of their pictorial counterparts. Pushing and pulling each painting’s textural potential, the idea of the surface sits at the forefront of her relationship with oil paint and graphite as her primary mediums. 

Sof caught up with August about World of Interiors ahead of its opening tonight.

Various Artists w/ Sof and Maya: 17th April, 2026

Various Artists w/ Sof and Maya: 17th April, 2026 Various Artists w/ Sof and Maya: 17th April, 2026, 81.08 MB
Fri 17 Apr 2026

Sof caught up with artist Olivia Asher about her current solo exhibition at Malcolm Smith Gallery at Uxbridge, upon a fragile plane.

And Maya caught up with artist Judy Millar about the McCahon House Art Union Raffle of one of her major works Hard Epic.

Whakarongo mai <3

McCahon House Art Union raffle of major Judy Millar Painting w/Judy Millar: 16th April, 2026.

McCahon House Art Union raffle of major Judy Millar Painting w/Judy Millar: 16th April, 2026. , 21.16 MB
Fri 17 Apr 2026

The McCahon House Trust was established in 1999, to recognise the life and art of Colin McCahon during the transformative period where the family lived in Titirangi. The McCahon House Trust upholds this by offering the Parehuia Artist Residency, where artists are offered a place to live on site, as well as an artist studio to work out of. 

This is a wonderful programme that has been designed to support Artists at these pivotal moments in their career. The residency providing time, space, and support for artists to really hone into the development of their practice. 

Helping in supporting this great program to stay thriving The McCahon House Trust has recently announced a nationwide raffle of one Judy Millar's Major works, Hard Epic. The initiative drawing on the historic Art Union tradition, as well as marking the twentieth anniversary of the Parehuia Artist residency. The raffle Inviting the wider public to help participate in the sustaining of this wonderful art program.  

Judy Millar is one of Aotearoa’s most distinguished and internationally acclaimed artists, producing breathtaking large-scale abstract paintings. Millar holds a close place in her heart for the Parehuia artist residency, as she was the very first artist to be invited to live and work on site. Her time there came at a pivotal time in her artistic career, and provided her time to focus on her practice. 

Millar now serves as a trustee of the McCahon house and is passionate about giving back to the next generation of artists here in Aotearoa.

Maya caught up with Judy about the raffle, and the importance of the Parehuia Artist Residency.

upon a fragile plane w/ Olivia Asher: 17th April, 2026

upon a fragile plane w/ Olivia Asher: 17th April, 2026 upon a fragile plane w/ Olivia Asher: 17th April, 2026, 32.85 MB
Fri 17 Apr 2026

Olivia Asher is a Tāmaki-based artist whose multidisciplinary practice explores the material language of lived experience. Working primarily in ceramics, Asher’s practice draws on the relationship between form and feeling, letting intuition and intent guide her process, and memory cling to material in its exchange.  

Her current solo exhibition at Malcolm Smith Gallery at Uxbridge, upon a fragile plane, sees Asher exploring these concepts of memory and the state of ‘after’, navigating grief through a beautiful new body of work combining ceramic, painting, and wall adornment. Here, matter holds memory — with clay becoming a metaphor for flesh, once pliant and soft, now hard and fragile, irrevocably changed. In their tender state, the works create a safe container for reflection, resting in this fragile liminal space, exposing an intimate view of the confronting, challenging, and contradictory experiences of ‘after’. 

Sof caught up with Olivia Asher about the show and her overall practice.

Veriditas w/Rosa Allison: 10th April, 2026.

Veriditas w/Rosa Allison: 10th April, 2026. , 34.36 MB
Fri 10 Apr 2026

Rosa Allison is a Pōneke-based artist primarily working amongst a painting practice. Producing beautiful oil paintings on canvas that are heavily informed by the natural world. 

Her current show an at Melanie Roger Gallery, Veriditas showcases a stunning series of paintings that continues in Allison's exploration of the natural world. The title of the show itself Veriditas, refers to a concept coined by 12th Century German Mystic, Hildegard Von Bingen. The word refers to a kind of greenness, a vitality and lifeforce that inhibits all living things. Like a sap that flows through the natural world, embodying all things with a kind of liveliness. In turn re-imagining the divine as not something that sits above nature, but rather within nature. 

The works themselves lean into this exploration of Veriditas, taking on this enriched green colour pallet that flows between works to create a visual landscape of greenness. Slipping in between abstraction and figuration, with imagery of snakes, birds, plants, mushrooms, and human bodies— both arising and slipping back into the work itself. Resulting in a luminous exhibition that pulls viewers into a space of liveliness that re-centers nature, and our ecological system.

Maya caught up with Rosa about the show as well as her overall practice.

Grace Aotearoa moving w/ Emil Scheffmann: 10th April, 2026

Grace Aotearoa moving w/ Emil Scheffmann: 10th April, 2026 Grace Aotearoa moving w/ Emil Scheffmann: 10th April, 2026, 25.55 MB
Fri 10 Apr 2026

Grace Aotearoa is a Tāmaki-based gallery, which specialises in the representation of early career artists within Aotearoa. Directed by Emil Scheffmann, the gallery has recently relocated from its former Pitt Street home into Symond Street’s historic Rationalist House. A building rich with history, Rationalist House has been owned by the New Zealand Association of Rationalists & Humanists since 1960 – having been home to the Association’s library, an infamous jazz club, the Society for Closer Relations with the USSR, and, for many years, the Socialist Party. As a gallery with a reputation for championing younger emerging artists, it feels apt that Grace now sits between AUT, Whitecliffe, and Elam, at the heart of fine arts education in Tāmaki. 

Sof caught up with gallery director Emil Scheffmann about the move, as well as their current joint exhibition showing Atarangi Anderson and Georgia Tikaputini Douglas Hood, Mau Āhua.

Various Artists w/ Sof and Maya: 10th April, 2026

Various Artists w/ Sof and Maya: 10th April, 2026 Various Artists w/ Sof and Maya: 10th April, 2026, 82.66 MB
Fri 10 Apr 2026

Sof caught up with director of Grace Aotearoa, Emil Scheffmann, about their recent move from Pitt Street to Rationalist House on Symonds Street, as well as their current joint exhibition showing Atarangi Anderson and Georgia Tikaputini Douglas Hood, Mau Āhua

Maya caught up with Rosa Allison about her current show on at Melanie Roger Gallery, Veriditas.

Whakarongo mai x

Caterpillar Soup w/ Zac Langdon-Pole: 27th March, 2026

Caterpillar Soup w/ Zac Langdon-Pole: 27th March, 2026 Caterpillar Soup w/ Zac Langdon-Pole: 27th March, 2026, 34.17 MB
Fri 27 Mar 2026

Zac Langdon-Pole is a Tāmaki-based artist whose primarily sculptural-based practice explores contrasting concepts and imagery, proposing unlikely juxtapositions into these often hybrid forms. 

His current solo exhibition at Lett Thomas Gallery, Caterpillar Soup,  presents a series of jigsaw puzzle collages, whereby the artist has placed the pieces of puzzles to make these combined collaged images. Imagery of warfare, volcanic matter, nature, and diagnostic imaging melded together, creating this almost pixelated, technological material language, the works question what these juxtaposing forms could mean in conversation with each other. 

Sof caught up with Zac about the show at Lett Thomas and his wider practice. They also touched briefly on his project currently showing at the Domain Wintergardens titled Memory Garden (The Kiss).

Desert Island w/ Anto Yeldezian: 27th March, 2026.

Desert Island w/ Anto Yeldezian: 27th March, 2026. , 41.27 MB
Fri 27 Mar 2026

Anto Yeldezian is a Tāmaki-based artist of Armenian heritage, who works amongst an expanded painting practice that often leans into methodologies of printmaking. Utilising methods of monoprinting, and stencils, along with a playful use of paint and material exploration.

Within his current solo show Desert Island on at Coastal Signs, Yeldezian presents a series of 7 large scale works on raw loose canvas. Installed in a manner in which the works almost engulf the gallery walls, and bring the space into a continuous field of symbols, and marks. 

The works themselves harness this heavy use of motifs, and symbols as a kind of centering point to the show. The references include camels, palm trees, oil pump-jacks, Homer Simpson's thirsty bird'; ancient fossils, the triple Gs of Canterbury Clothing Company, union jacks and logos of American defence and oil companies. 

Through the making of the work Yeldezian takes these symbols and applies them to various painterly techniques that almost pull them away from their own inherent meanings/references and into this place of a pattern-like language with its own set of meanings.

Maya caught up with Anto about the show as well as his overall practice.