The Oshima Gang is an exhibition by Theo Macdonald, currently showing at RM Gallery.
Macdonald is a Tāmaki-based interdisciplinary artist with a focus on still and moving documentary photography and cinematography to explore his interest in public expressions of militarism, national identity, and collective and personal memories.
As an experimental documentary, The Oshima Gang sees Macdonald revisiting five colonial institutions in Tāmaki Makaurau that were featured in Japanese filmmaker Nagisa Ōshima’s ‘Merry Christmas, Mr. Lawrence’, which came out in 1983.
Using Fūkeiron, or Landscape Theory, as a mode of cinematic communication – layering Super 8 film with archival text and raw production audio – Macdonald uses these sites of colonial architecture to invite viewers to consider and critique our identity in Tāmaki Makaurau, placing historical ideas, documents, and international relationships in dialogue with our present.
Sof had a kōrero with Theo Macdonald about The Oshima Gang and these thematic interests that underpin his practice.