Rachael talked to Bianca Rocca and Toya Webb about their show 'Working Title', on at the George Fraser Gallery. Theo was in studio and played some Korean experimental music from the Bulgasari community. He also played some commentry from John Waters, the director of Multiple Maniacs.
Jenna's just read Interior Chinatown by Charles Yu and highly recommends it. If Charles' work on HBO series, Westworld, isn't enough to entice you to read this book, perhaps winning the Fiction prize in the National Book Awards for 2020 will.
This week the arts community has been remembering Nanette Cameron, who passed away aged 95. She's been dubbed "Aotearoa’s preeminent interior designer" by arts organisation Objectspace, "instrumental in the flourishing of interior design practice in Tāmaki Makaurau and nationally." Her passing has been met with tributes, gratitude and aroha for a woman who is described by those who met her as formidable, a sweetheart and everything in between. To hear more about her life Frances caught up with retired director of Objectspace, Philip Clarke, who was director of Objectspace when they staged the major exhibition and published the publication Nanette Cameron: Interior Design Legend in 2013.
August Ward is an artist who grew up in Tāmaki Makaurau, whose primarily painting practice explores the visual signature and emblems of affluence and desire, consumption and the idealised female form – existing in the uncanny valley of womanhood, letting the contrast and intersection of imperfection and glamour lead the work both practically and conceptually.
Her current solo exhibition at Ivan Anthony, World of Interiors, sees Ward furthering her exploration in this realm of subject matter, expanding her painting and drawing practice in scale and form, bringing these sculptural qualities into the works and space surrounding. Crystals adorning the canvas to form a necklace, ledges attached at the base of others with taxidermied mice, and a cavity for a Miss Dior perfume to perch, these symbols become physical adornments to the glamour of their pictorial counterparts. Pushing and pulling each painting’s textural potential, the idea of the surface sits at the forefront of her relationship with oil paint and graphite as her primary mediums.
Sof caught up with August about World of Interiors ahead of its opening tonight.
Music can be a pretty unifying force, especially for the geographically isolated. Kiran talks to Mikey about music critic David Keenan's first novel, This Is Memorial Device, which evokes this idea while portraying a fictional post-punk band in '70s-'80s small town Scotland.
Alex picks a show Mike's had on the brain for ages - the '70s crime drama Quarry. With an antihero whose story spans the Mekong to the Mississippi, Alex gets in behind to make some bold claims of quality.
Dedicated to all the musicians of Wellington: past, present, and future.
On Morning Glory, Sofia Kent spoke with Daniel Beban about his first, but not last, publication called Future Jaw-Clap: The Primitive Art Group and Braille Collective.
The story follows self-made musicians of the jazz ensemble Primitive Art Group, acting as a portal into the punk jazz scene amidst the backdrop of a choppy 80's Wellington.
They discuss Beban's extensive music and sound ventures, compiling a period of time, Robert Muldoon, and how the book hopes to serve future generations to come.
Chris Riddell is a world-renowned illustrator and author of children’s books and the political cartoonist for the Observernewspaper. He has collaborated with artists and writers such as Neil Gaiman, Phoebe Bridgers and Frances Hardinge. In 2018 he travelled to Aotearoa to speak at the Auckland Writers Festival. Most recently, Chris has releasedI Can’t Remember What We Talked About, a slim volume of 24 poems.
Beth and Chris chat about the creative process of art-making and poetry writing, love of nature, designing pop-up books for the backdrop of Phoebe Bridgers’ tour and magical pear tree staffs. Chris reads some poems and they also speak about what it’s like being a political cartoonist in the current political climate.
Frances talks with artist Chevron Hasset about Far, Far Away, his show opening this evening at Artspace Aotearoa. Guest producer Sam talks to Christian Dimick about his upcoming show, Spilling Heavy Water opening at Kaukau Gallery in Wellington on Saturday. Frances talks to the retired director of Objectspace, Philip Clarke about the life of Nanette Cameron, a pivotal figure in New Zealand Interior Design design who has passed away at 95 years old. To finish the show we have your local arts guide for Tāmaki Makaurau over the next week!