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Life in Forms is a survey exhibition of Pauline Kahurangi Yearbury’s practice, currently showing at Te Uru Waitākere Contemporary Gallery. It is the first solo exhibition of Yearbury’s work in a public art gallery. 

Yearbury is considered a leading practitioner in Māori modernist art and was one of the first Māori artists to introduce Māori mythology into contemporary art. Her work is characterised by a bold and illustrative style, of which she is most renowned for her incised wooden panels featuring figures from Māori whakapapa narratives.

She was one of the first Māori women to attend the Elam School of Fine Arts in Auckland, where she worked later as a tutor too. 

Sofia had a kōrero with curator Hester Rowan about Yearbury’s life, practice, and legacy as well as Hester’s curatorial process for putting together Life in Forms

Ruby Wilkinson is an emerging artist whose paintings explore aspects of the environment, specifically those close to her and her memories. Leaning into her surroundings as well as her painterly intuition to produce these beautiful works that dance with bold swooping gestures, and vibrant earthy colours that sing out to those saturated within nature.  

Her work Parade is currently showing as part of A Moment to Hold at The Arts House Trust at Pah Homestead. An exhibition bringing together seven female artists engaged in painting and drawing, featuring works by brunelle diaz, Hannah Ireland, Christina Pataialii, Johanna Pegler, Kate Small, Barbara Tuck, and Ruby Wilkinson. 

Wilkinson's work Parade showcases a stunning large scale sculptural curtain, made up of 8 calico panels that have each been treated as a painting in itself. Coming together to form a breathtaking display of movement and colour, that pulls viewers into its world of warm sun sets and memories—allowing a moment of hold within the fleeting memories of time.

Thanks to Verona https://www.verona.nz/

Good afternoon and welcome to The Wire podcast for Rātū Tuesday, the 3rd of December, Hakihea.  

On today's show we had; 

Lillian Hanly, who was waiting for the bus along Symonds St last month when she came across some phantom billsticker panels with comics in them. They were very easily recognised as Toby Morris comics who Lillian is a fan of. As she had plenty of time waiting for the bus she had a read of it. Turns out it was actually a story about the way young people with access needs experience the city, and the information had come from research done by Massey University. Karen Witten is a Professor of Public Health at Massey University and her email was on the final panel. Lillian reached out to her to find out more.

This week on Green Desk, Mitch speaks Cawthron Institue’s Dr Susie Wood who is leading
the Lakes380 Project. Currently Lakes380 is the largest undertaking of data collection on
Lakes done in New Zealand possibly the world, making use of the best technology in the
world. Mitchell and Susie discuss the scale of the project and the processes involved with
such a large undertaking. To being Mitch asks Susie to explain what Lakes380 is.

We also talked to Splice's Gareth Fa about creating space for intercultural dialogues and interactions. We also talk about the upcoming Global Active Citizens Annual Marketplace on December 12th and all the work that has gone into it. 

We also spoke to Simplicity Kiwisaver fund about their release of what we believe is Aotearoa's first Te Reo Māori Kiwisaver document. We touched on the document itself, as well as the road to its creation and the interactions between the finance world and Te Ao Māori. 

Thank you to every one who spoke to us today.