Crawley chats to Goodspace about their new single You Only Get What You Leave from their upcoming album Let's Talk About Death out on 5th October, as well as the album installation at Lim Chhour titled VENDOR running all week long from September 28th. Go check it out!
Rosetta and Milly kick off their coverage of the Auckland Pride Festival, joined by TAKATAPUNANI, MAN(K)ILLA, and Allie Howell - who are part of the Wheke Fortress takeover of Te Tīmatanga this year! Catch them screening their short film on February 14 at the Auckland Art Gallery with a panel of insightful kōrero led by Coco Solid. Whakarongo mai nei!
It's the final weekend of January 2025 (god I'm old), which means it's time for a Tairāwhiti throwdown with wall-to-wall killers courtesy of Campbell! Press the button...
President Donald Trump signed in an executive order effectively banning people from seven Muslim-majority countries from entering the U.S. Tuesday Wire Host Mack Smith filed a report on the situation and then spoke to Hazim Arafeh, President of the Federation of Islamic Associations of New Zealand.
Dr. Maria reviews French/Belgian comedy Saint-Amour, a father and son's boozy journey through an oenophile's France with a particularly sexually active taxi driver. Starring Gérard Depardieu, of course.
In which Dr. Maria reviews season three of Danish drama The Legacy, Jonny appreciates Jules' new segment sting, and everyone begins to wax probiotic about sauerkraut.
In which Dr. Maria reviews critically acclaimed Australian feature Jasper Jones, a tale of sleepytown murder set against a background of 1960s institutionalised racism. Although, to be honest, the team get quite distracted by weeds. ...Great film though.
Can prequels ever really stand alongside their original source material? Dr. Maria asks the question of Westside: Series 3, the popular prequel to NZ cultural juggernaut Outrageous Fortune.
Dr. Maria talks to us about the part biopic, part reconstruction, part pack-of-fibs that is Becoming Bond. The odd doco/bio hybrid centers on the Bond film canon's only single shot 007 player, the Australian car mechanic turned model George Lazenby. Narrated by Lazenby himself, how did Maria enjoy a film on the man Dame Diana Rigg once described as: "...obsess[ed] with himself ...utterly, unbelievably ... bloody impossible"?
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