Tonight's show starts with a 90 minute CS curated by artist Alexander Brown from Wrought Material, an eclectic mixtape that switches (abruptly) between death metal cuts and Japanese pop, with all manner of noise, mental hardcore and post punk in between. The last 30 minutes is a short mix from me, classic underrated West Bay hip-hop, some brand new shit from Bowel Rupture and L.O.T.I.O.N. Multinational Corporation.
I think I'm too tired to write much of a description, like everyone else I'm stuck inside for the foreseeable future which has resulted in some mild insomnia and some questionable viewing habits that have crept into this weeks show. I've attempted to stay as current as I can be bothered but you're also a bit doomed to whatever I've been listening to this week; highlights include recently unearthed tracks from gutter sludge aberration Baboon King, 60 or so blasts of noise from Living Room interspersed with whatever's going on in black metal, various obscurities and some classic hip hop.
This show was a fuckin' blast to make, with tonnes of new Iron Lung Records shit to get my teeth into plus the usual assortment of ancient black metal demos, and a track off the massive new Sial record that just came out on La Vida Es Un Mus. Big shoutout to my flatmate for putting me onto the Eightball & MJG tracks too.
The boys from Thomson Whisky make a Negroni and Boulevardier:
1 part Victor's Gin (Negroni) or 1 part Thomson's Whisky (Boulevardier).
1 part red vermouth.
1 part Campari.
Typically you should use 20-30mls per part, depending on how big your glass is. Fill a large mixing glass with ice, add the ingredients in the order above and then fill the rest of the glass with ice and begin stirring. Use a metal straw to taste intermittently while stirring until it's just right (you'll know).
Strain into a tumbler filled with ice, and garnish with orange peel (make sure to give it a twist and wipe it around the brim of the glass). Alternatively. the Boulevardier can be served in a chilled martini glass sans ice (same garnish).
Sleep - From Beyond
Scratch Acid - Cannibal
Devils - The - Guts Is Enough
Vermin Womb - You Know Nothing
Slavedriver - Marauders
Death - Misanthrope
EHG - My Name Is God (I Hate You)
Slavedriver - Drone of Cogs and Locusts
SUNN 0))) - Rabbits' Revenge
Black Sabbath - Black Sabbath
Electric Wizard - Legalise Drugs and Murder
Aural Holograms - Before The Great Stone
Terra Incognita - Atheus
Zoät·Aon - Possessed Constellation
Iannis Xenakis - Concret PH (1958)
Imiro - Colorse Of Yours
SUNN 0))) - Kannon 3
Skáphe - Every Soul Entombed
14 - Kyoty
Pyramids/Nadja - Into The Silent Waves
Wreck and Reference - All the Ships Have Been Abandoned
EHG - Medicine Noose
Asbestosdeath - Anguish
Crowbar - Vacuum
Buzzov*en - Wound
Monolord - The Siren of Yersinia
Boris - Blackout
Godflesh - Wound
Pyramids - I Have Four Sons, All Named for Men We Lost to War
Thergothon - The Unknown Kadath In The Cold Waste
Fudge Tunnel - Spanish Fly
Starkweather - Swarm
Exhorder - The Law
Acid Bath - Jezebel
Death - Spirit Crusher
Mastodon - Blood And Thunder
Upsidedowncross - Redrum
Napalm Death - Siege of Power
Mayhem - Deathcrush
Darkthrone - The Pagan Winter
C H A P E L - Incantation
Dead Can Dance - Arabian Gothic
Henrik Nordvargr Björkk/Margaux Renaudin - Spiritus Omni
Cult Of Luna - Thirtyfour
Slavedriver - Of Marrow and Hate
Neurosis - Locust Star
Dean Rankine is a Ledger and Stanley Award winning comic book artist, illustrator and writer best known for his work on Simpsons Comics and Rick and Morty. He is the writer/illustrator of the new book series Death Metal Emo Elves (Redback Publishing).
Dean is also the creator of Aussie Comic Book Day - an Australia wide celebration of local creators and their work (on the 3rd Saturday in November).
Dean will be an artist at Wintergeddon on June 14th. Beth caught up with Dean about illustrating, working on the Simpsons comics and what he’s up to. Tune in!
Marc Koorey is a Tāmaki based artist working from a practice of Sculpture to produce kinetic works with elements of sound that bring viewers into the curated world of Koorey’s practice.
His current show on at Strawhouse, Music on Hold presents a series of intricate sculptures, a kinetic curtain in a constant loop of unveiling, A bright red fluorescent light that casts the entire hallway in a red tint, and a hanging metal sculpture that murmurs Koorey’s sound work as you navigate each work. Coming together in a rhythmic dialogue ro invite viewers into a space of encounter.
Maya had a kōrero with Marc about the show and overall practice.
Today on Ready Steady Learn, Rosetta and Milly are joined in the studio by William Sheard: PhD researcher at UoA's Centre for Climate, Biodiversity and Society. William's research looks at extracting the wealth of metals from the mountains of e-waste discarded each year. Whakarongo mai nei!
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