Written by ‘Hua Parakore farmers, activists, Indigenous researchers and Indigenous food sovereignty leaders Jessica Hutchings and Jo Smith, Pātaka Kai encourages a return to Indigenous values and practices to achieve kai sovereignty and wellbeing for Mother Earth and her people’.
The book calls attention to the need for Indigenous perspectives and practices that offer pathways to ecological, cultural and socio-economic sustainability in the face of a biodiversity crisis, and teaches of a greater connection to food in our everyday lives.
Beth had a kōrero with Jessica Hutchings about Pātaka Kai: Kai Sovereignty.
Wikipedia is one of the world’s most accessed sources of information, however, many local histories, marginalised communities, and diverse voices remain underrepresented.
By contributing to Wikipedia, Auckland Museum’s Wikimedian in Residence, Anjuli Sel-va-durai, aims to democratise access to knowledge and ensure more accurate, balanced and inclusive narratives about Tāmaki Makaurau and Aotearoa, making important histories more visible and accessible to all.
Sofia spoke to Anjuli about her role and the importance of contributing to Wikipedia.
The Wiki 101 Edit-a-thon is on tomorrow, Saturday 15th March, at Auckland Museum in the Research Library on Level 2 from 10am-2pm.
over under fed is the debut poetry collection by Amy Marguerite, out now via Auckland University Press.
In over under fed, Amy explores the peculiar loveliness and specific loneliness of the human condition. She writes from experiences with anorexia nervosa, limerence and a particularly tumultuous situationship. Her poems are confessional and seek to reconcile chaos and recovery.
Amy completed Te Kohinga Auaha, a Master of Arts in Creative Writing at the International Institute of Modern Letters in Pōneke Wellington in 2022.
Beth caught up with Amy about over under fed and her creative process, and she performed a poem.
Clay Eaters is the latest poetry collection by Gregory Kan, out now via Auckland University Press.
Clay Eaters traverses a network of fault lines diverging and converging at unexpected angles: a mysterious jungle island, military reconnaissance training, the spirits in the trees and abandoned temples, old family homes, the echoes across rooms, the dining table set for the archetypal feast. The author asks what it means to write the self, and what it is the living must carry.
Beth caught up with Greg about Clay Eaters and the fragmentary nature of the collection. He also performed a couple of poems.
The lineup has been announced for the Auckland Writers Festival, which will welcome over 220 writers this year. Among them are writers Trent Dalton (Australia), Mariana Enriquez (Argentina), Yael van der Wouden (the Netherlands), Alan Hollinghurst (UK) and Jessica Townsend (Australia).
The festival will take place from the 13th to the 18th of May, with Streetside: Britomart – AWF’s annual fringe festival – taking place a week earlier, on Friday 9th of May.
Beth spoke with the Artistic Director for the festival, Lyndsey Fineran, about the lineup and the themes of Auckland Writers Festival this year, as well as highlights from the programme.
Beth had a kōrero with Tāmaki Makaurau-based poet Amy Marguerite about her debut poetry collection, over under fed, out now via Auckland University Press.
She also spoke with Pōneke-based poet Gregory Kan about his new poetry collection, Clay Eaters, out now via Auckland University Press, also.
Sofia had a kōrero with Tāmaki Paenga Hira Auckland War Memorial Museum’s Wikimedian in Residence, Anjuli Selvadurai, about the Wiki 101 Edit-a-thon tomorrow.
And Beth also had a kōrero with the Artistic Director of the Auckland Writers Festival for 2025, Lyndsey Fineran, about the programme this year.
And for Stage Direction this week, Ngahiriwa Rauhina joined Alice Canton in the studio to speak about ration the Queens veges currently on at Te Pou Theatre.
Artists on Artistsis a group portraiture showing at Studio One Toi Tū as part of Te Ahurei Auckland Arts Festival 2025.
Each artist is the subject of another artist’s work, like links in a chain. The audience follows the artworks around the exhibition to see how each artist has painted, photographed and created work of another artist.
Artists on Artists is in its fourth year and in 2025 is solely featuring artists based in Tāmaki Makaurau.
Beth had a kōrero with artist and curator Lindsey Horne about Artists on Artists.
Ruminations: Encrypting My Mother Tongue is a new exhibition by artist Anthony Zemke showing as part of the Te Ahurei Toi o Tāmaki Auckland Arts Festival. It is a ‘visual exploration of the struggle faced by diasporic and mixed-race individuals to connect with a mother tongue they may never know’ (Auckland Arts Festival).
The exhibition runs through the festival of Naw-Rúz (Nowruz) which is celebrated as a time of renewal, reconnection and reflection by Iranians, Baháʼís, and various other communities.
The series of paintings and drawings aim to transform feelings of shame and guilt into celebrations of heritage and belonging through calligraphic abstraction.
Sofia had a kōrero with curator of contemporary art at Gus Fisher Gallery, Lisa Beauchamp, about Having It All, All, All - a new exhibition bringing together international artists whose work has been pivotal for the re-evaluation of female subjectivity in art.
Beth had a kōrero with artist Anthony Zemke about his new exhibition, Ruminations: Encrypting My Mother Tongue, currently showing at Studio One Toi Tū.
And for Stage Direction this week, Brynley Stent joined Alice Canton in the studio to speak about Frigidton!
Having it All, All, Allis a new group exhibition at Gus Fisher Gallery composed of nine international artists whose work has been pivotal in the reimagination of female subjectivity in art.
The exhibition is showing select video and performance art by the likes of Ana Mendieta (Cuba/USA), Yoko Ono (Japan/USA), Howardena Pindell (USA), Pipilotti Rist (Switzerland), Martha Rosler (USA), Christa Schadt (Canada), Janice Tanaka (USA), Hannah Wilke (USA), and Nil Yalter (Turkey/France).
Spanning the 1960s to 1990s, Having it All, All, All delves into the activism and identity politics associated with Second Wave Feminism and its critics.
Sofia spoke to curator of contemporary art at Gus Fisher Gallery, Lisa Beauchamp, about the exhibition, her curation process, and the impact of these works on feminist politics as seen through a contemporary perspective.
Florence Hartigan and Shoshana McCallum chat to Alice Canton about their shows, Me, My Mother and Suzy Cato and Merely Beloved! on at the Herald Theatre from 8-10 May.
Mayen Mehta and Ryan O'Kane from Auckland Theatre Company joined Sofia in the studio to chat about Murder on the Orient Express, on at ASB Waterfront Theatre 22 April - 10 May.
John Davies joined Sofia and Beth in studio to chat about Te Tupua - The Goblin, a solo play written and performed by Davies himself. Tickets for tonight's show at Te Pou Theatre here.
Ahi Karunaharan joined Beth and Sofia in the studio to talk about a mixtape for maladies, the final chapter of Karunaharan's trilogy. The play tells the story of 17 nostalgic pop tracks which chart the deeply moving journey of Sangeetha and her family in 1950s Sri Lanka. a mixtape for maladies is on at ASB Waterfront Theatre from the 4th March. You can get your tickets here.
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