Rachael talked to Bianca Rocca and Toya Webb about their show 'Working Title', on at the George Fraser Gallery. Theo was in studio and played some Korean experimental music from the Bulgasari community. He also played some commentry from John Waters, the director of Multiple Maniacs.
Music can be a pretty unifying force, especially for the geographically isolated. Kiran talks to Mikey about music critic David Keenan's first novel, This Is Memorial Device, which evokes this idea while portraying a fictional post-punk band in '70s-'80s small town Scotland.
Alex picks a show Mike's had on the brain for ages - the '70s crime drama Quarry. With an antihero whose story spans the Mekong to the Mississippi, Alex gets in behind to make some bold claims of quality.
Oto and Jaycee spoke with Tāmaki Makaurau singer-songwriter, Reia Guess, and played 2 hours of music by singer songwriters and dreampop artists from the Asian diaspora.
A hot topic last election with Gareth Morgan as the former leader of The Opportunities Party was cat control. It’s not getting much attention this election cycle, but it is still a massive problem for our native wildlife - as Bronwyn found out when she spoke to Jessi Morgan from Predator Free, who just so happens to be the daughter of the former TOP leader! Jessi hypothesises why we don't see cats under the target species of the Gorvernment's Predator Free 2050 programme. She concludes that any sucess in targeting feral cats also requires promoting responsible ownership of house cats.
To gain further insight into the problem posed by cats, Bronwyn also speaks to her grandad, cat-trapper and bird-lover, Alan Wilde.
Cat Fooks is a Tāmaki based, material led painter who immerses herself within the world of her studio. In which Cat no longer views it as just a physical space but rather its own dimension built up of paint and clutter that is crucial to the making of the works.
Her current exhibition Didymus Mountain presents a series of vibrant and playful paintings. Little worlds of abstract colour and texture that seem to rebel against the typical convention of the frame. Engulfing the frame itself in a multitude of rich layers of paint, rejecting this ‘framing’ and instead bringing it into the world of the painting itself. Eliminating this space between the painting and the space of the world.
Maya had a chat with Cat about her overall practice and the show.
In November last year, feral cats were added to the list of predators to be eliminated in the New Zealand wide ambition ‘Predator Free 2050’.
The decision recognises the long-held concerns of conservationists that the uncontrolled wild cat population is endangering native animals including birds.
Courtney Addision, a Senior Lecturer in Science in Society at the Victoria University of Wellington, published an article in the Conversation voicing concerns about the move — including the distinction between feral, stray and domestic cats, as well as how welfare considerations need to be visited in approaching this species.
For Green World this week, Wire Host Sara spoke to Addison about the issue, in the context of wider environmental and ethical implications going forward.
New research conducted by Basement Theatre and Insights organisation, Perceptive has highlighted that spending time watching live performances or engaging in the creative arts has been shown to lift the well-being of our communities and the economy.
Cat Ruka, Director of Basement, says the research shouldn’t come as a surprise but rather a wake-up call for policymakers to view the creative industries as an economic and social investment, not simply a cost. To hear more about the research, Frances caught up with Cat Ruka.
This week on Dear Science the Tuesday Wire team (Beth and Milly) sit down discuss cats in all thier pawsomeness with Joel Rindelaub. From the dreaded zoomies, to deciphering humans when they're talking to each other than to them all the way to some cat conservation advice (keep them inside!!). This is the cat special of Dear Science ˶^•ﻌ•^˵
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