Rachael talked to Bianca Rocca and Toya Webb about their show 'Working Title', on at the George Fraser Gallery. Theo was in studio and played some Korean experimental music from the Bulgasari community. He also played some commentry from John Waters, the director of Multiple Maniacs.
Music can be a pretty unifying force, especially for the geographically isolated. Kiran talks to Mikey about music critic David Keenan's first novel, This Is Memorial Device, which evokes this idea while portraying a fictional post-punk band in '70s-'80s small town Scotland.
Alex picks a show Mike's had on the brain for ages - the '70s crime drama Quarry. With an antihero whose story spans the Mekong to the Mississippi, Alex gets in behind to make some bold claims of quality.
Risk is a new exhibition by Tim Wagg. It’s centred on the Ara Tūhono – Pūhoi to Warkworth Project.
Through a series of printed aluminium panels, Wagg depicts the physical infrastructure of the road alongside the corporate structure underlying the asset’.
Beth had a kōrero with Tim about Risk and the creative thinking behind the project.
This week Bronwyn spoke to Tracey about the party’s opposition to the $100 million Southland Recovery Package, especially in the context fo the Tiwai Aluminium Smelter. We also talked abut a number of issues that are topical in Parliament at the moment, such as paid mandatory managed isolation and code of conduct for MPs. Lastly, we spoke about the government's $20 million in regional funding to tackle methamphetamine use and what that means for families and children.
1 year on from the awful Grenfell Tower fire in London, the Auckland Council have declared that the highly combustible aluminium polyethylene filled cladding is safe for use in Aucklands buildings.
The council have produced a list naming all the buildings with the cladding which include 7 Auckland hospital buildings and Auckland universities OGGB building.
Lucy Austin spoke with RNZ reporter Phil Pennington to find out more.
Setting the tone with a heavy motor city theme for the first section, smoothening off the edges with dub eccentric sonics followed by detail oriented dance music to end ↟𖣂↟
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