Amelia is joined by Che aka bb gurl aka Mallshopper for a conclusive list of the best of the best anime of all time PERIOD. But none of that Shonen nonsense - the good stuff.
Multi-hyphenate arts icon Coco Solid spoke with Rachel about Wheke Fortress, a new community and artist run space she is setting up in Onehunga with Big Fat Raro. Whakarongo mai nei to hear about the kaupapa and supoort the Boosted campaign here!
Oto and Jaycee spoke with Tāmaki Makaurau singer-songwriter, Reia Guess, and played 2 hours of music by singer songwriters and dreampop artists from the Asian diaspora.
A hot topic last election with Gareth Morgan as the former leader of The Opportunities Party was cat control. It’s not getting much attention this election cycle, but it is still a massive problem for our native wildlife - as Bronwyn found out when she spoke to Jessi Morgan from Predator Free, who just so happens to be the daughter of the former TOP leader! Jessi hypothesises why we don't see cats under the target species of the Gorvernment's Predator Free 2050 programme. She concludes that any sucess in targeting feral cats also requires promoting responsible ownership of house cats.
To gain further insight into the problem posed by cats, Bronwyn also speaks to her grandad, cat-trapper and bird-lover, Alan Wilde.
Heidi talks to Tokerau Wilson about his show Wheke Fortress at Audio Foundation. The show featured sonic workshops such as "Demystifying Musical Equipment" and a comics/storytelling one, "Outside the Frame".
Tom talked to Clare Gemima about her forays into the Brooklyn's the "Other Art Fair", and living in New York as an artist.
E whai ake nei, coming up on the first (!!) Various Artists of 2024!
Liam chats to Keciano Tiufuva about his new solo exhibition opening tomorrow at Wheke Fortress.
Frances speaks to Pauline Autet of Contemporary HUM about their current Boosted campaign.
She'll also speak with photographer Kate van der Drift about Water Marks, currently on show at 23 locations around Auckland, Wellington and Christchurch.
Cat Fooks is a Tāmaki based, material led painter who immerses herself within the world of her studio. In which Cat no longer views it as just a physical space but rather its own dimension built up of paint and clutter that is crucial to the making of the works.
Her current exhibition Didymus Mountain presents a series of vibrant and playful paintings. Little worlds of abstract colour and texture that seem to rebel against the typical convention of the frame. Engulfing the frame itself in a multitude of rich layers of paint, rejecting this ‘framing’ and instead bringing it into the world of the painting itself. Eliminating this space between the painting and the space of the world.
Maya had a chat with Cat about her overall practice and the show.
New research conducted by Basement Theatre and Insights organisation, Perceptive has highlighted that spending time watching live performances or engaging in the creative arts has been shown to lift the well-being of our communities and the economy.
Cat Ruka, Director of Basement, says the research shouldn’t come as a surprise but rather a wake-up call for policymakers to view the creative industries as an economic and social investment, not simply a cost. To hear more about the research, Frances caught up with Cat Ruka.
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