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1st-anniversary show of the 1-3 with Sam. Big shout out to Atereano AT Mateariki for starting this thing with me a year ago. 

Jenna's just read Interior Chinatown by Charles Yu and highly recommends it. If Charles' work on HBO series, Westworld, isn't enough to entice you to read this book, perhaps winning the Fiction prize in the National Book Awards for 2020 will. 

Studio X is an exhibition by Ōtepoti-based artist Graham Fletcher, currently on at Gow Langsford Gallery. 

Fletcher is known for his representations of architecture, interiors, art, and the domestic, bringing together contemporary and customary forms, and intermixing Western high art and indigenous traditions in his paintings. 

Inspired by the likes of Mattisse’s The Pink Studio (1911), in this new body of work, Fletcher reflects on the intimate artist’s studio as his locational subject, transforming the physical space of artmaking into art itself. 

Not depicting any one specific studio or space, the paintings extend an interest in Fletcher’s practice in the ways in which he can visually communicate complex cultural discourses between Western and non-Western settings, often in a contemporary Pacific and New Zealand context, speaking to his own Samoan and European heritage.

Sofia had a kōrero with Graham Fletcher about Studio X and his process. 

August Ward is an artist who grew up in Tāmaki Makaurau, whose primarily painting practice explores the visual signature and emblems of affluence and desire, consumption and the idealised female form – existing in the uncanny valley of womanhood, letting the contrast and intersection of imperfection and glamour lead the work both practically and conceptually. 

Her current solo exhibition at Ivan Anthony, World of Interiors, sees Ward furthering her exploration in this realm of subject matter, expanding her painting and drawing practice in scale and form, bringing these sculptural qualities into the works and space surrounding. Crystals adorning the canvas to form a necklace, ledges attached at the base of others with taxidermied mice, and a cavity for a Miss Dior perfume to perch, these symbols become physical adornments to the glamour of their pictorial counterparts. Pushing and pulling each painting’s textural potential, the idea of the surface sits at the forefront of her relationship with oil paint and graphite as her primary mediums. 

Sof caught up with August about World of Interiors ahead of its opening tonight.