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Rod Oram gives us some Political Commentary about the Three Waters repeal, AUKUS discussions and broad policy coming out of the government's coalition right now. On Breakfast Food, Lucinda Bennett talks about camping kai, and caving kai, if that's what you're into. Damian and Billy from Grecco Romank are in the studio to talk about their upcoming performances at Splore and beyond, as well as their new single 2 Hot 2 Hunt. Jim is in the studio for Greening Out, chatting about all the shades of green. Sam Bambery is chatting about his new single, out today, titled Parasite. We recap your Top Ten. Whakarongo mai nei!

Last week, the government’s ban on gang patches officially came into effect. Under the new law, gang insignia is now officially banned in public places and police now have the power to break up large groups in public for causing fear and intimidation and can issue orders preventing gang members from associating or communicating for up to three years.

While hailed by the coalition government as a bold step in their “Tough on Crime” approach to law and order, the law has been questioned by experts and even a number of police officers themselves, who say that a suppression approach to policing gangs is likely to push gang activity to the periphery instead of eradicating it, and that it would disproportionately target marginalised communities.

For our weekly catch up, News and Editorial Director, Joel, spoke to the Green Party’s Ricardo Menendedz-March about the gang patch ban coming into effect and the party’s take on it.

They also had a discussion about the fall in New Zealand’s ranking on the Climate Change Performance Index, as well as the Ministry of Health's evidence brief and position statement on puberty blockers.

As New Zealanders across the motu witness the fallout of extreme weather including landslips and flooding, climate experts reiterate the importance of connecting these events to a wider trend of increased frequency and intensity climate events. 

In particular, experts including Dr Kevin Trenberth and Sustainability lecturer Sasha Maher say that New Zealand’s existing infrastructure needs to be upgraded to account for how future natural disasters and climate events will impact Aotearoa.

For Green World this week, Wire host Sara spoke to both of these experts about the challenges New Zealand will face on this issue.

First, Sara spoke to University of Auckland affiliated climate scientist Dr Kevin Trenberth about the drivers of extreme weather conditions, starting by asking how they reflect a larger pattern of temperature change. 

Next, Sara spoke to University of Auckland lecturer Sasha Maher about the political response to these observable climate impacts.

In Hour 1 we welcome Robert Hood, founding member of the legendary group Underground Resistance (with ‘Mad’ Mike Banks and Jeff Mills) following the release of his third and final installment in a trilogy of EP releases for Dekmantel Records, that initially began back in February 2016. 'Paradygm Shift Volume 3' embraces the trademark, minimal, funk techno sounds that defined his earlier career and is an extension on the concept as outlayed by Hood during the project’s conceptual stage: ‘‘The idea behind Paradygm Shift is similar to a shift in our focus. We can become so complacent; we are so comfortable with our surroundings, I think this is the time for electronic music to find a new mindset.’’ He’s currently finalising a new EP due for release in April on his own M-Plant label.

In Hour 2 we hand over to Canadian producer CFCF, also known as Mike Silver who has been producing for nearly a decade on labels like Paper Bag, 1080p, International Feel Recordings and Arts and Crafts for his last release alongside Jean-Michel Blais.  He had this to say about his mix;
'I tried to make a mix that reflected some of the ideas in my 12”, where raw emotional prog house intermingles with goofball filter house. I think I’m always searching for a nugget of truth inside discarded music, even prog house and goa and tech house. The few more current tracks sprinkled throughout serve to reorient the listener to present day, whose anxieties at first undercut the plastic euphoria, but are ultimately mixed and normalized back into the catalog of the past.'