This week it was discovered a Belgian brewery brewed a beer in 2015 called Māori tears. Our Wire Worry Week looks at cultural appropriation, and I spoke with Karaitiana Taiuru about this beer, and the use of Maori knowledge and culture by businesses more generally
Jenna joins us with a controversial book this something, the 'creepy' book by Moby, Then It Fell Apart. Jenna was a big fan of Moby's first auto-biography but this one hasn't quite had the same effect, and after causing a stir with Natalie Portman, André 3000 and Lana Del Ray, is this worth a read?
Milly's favourite meme page runner is also an amazing music maker! Join her as she explores the new EP 'Pulled Apart by Horses' from 636174736974746572 - a radio debut. You can check out the full EP here! Also be sure to check out the podcast Bipolar Lofts. We can't wait to hear what comes from you next!
EYRA is the creative outlet for Ollie Pereira’s leftfield-leaning, dancefloor focused productions and performances. Hailing from the UK, the Barcelona based artist’s sound is rooted in bass heavy British music culture, however his style is forward thinking, adventurous and inventive throughout. With productions spanning a plethora of genres, emotive melody and meticulous rhythmic study are quickly becoming something of a signature aesthetic.
Endless Mow is a London-based DJ and producer. Mostly known for his releases on All Centre, Endless Mow can be found somewhere in between UKFunky, Bass and medieval folklore. Witchy vocal chops + subs.
As a member of Friendly Potential, Run With The Wolves and the ninthWave - Aotearoa's first ever feminist soundsystem, Scarlett is a verified rave weapon. She's thrown down her vibrant, bass-heavy sound at countless local parties, festivals & helms multiple radio shows that air across the country
plkpnn misses transcendental clubbing with their friends. “this mix simulates my ideal dancefloor experiences: the ones where you spin yarns, your mates play beautiful tunes, and maybe you meet god”. please enjoy at your own leisure.
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