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Connan Mockasin - I'm The Man That Will Find You [Live at Laneway 2018]

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95bFM Drive with Jonny & Big Hungry: Monday January 13, 2020

Big Hungry is reunited with Jonny for his first Drive of the decade.

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Psychic Glands, 13th October 2022
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Morning Glory w/ Jade: Monday, April 10 2023

HAPPY EASTER MONDAY! This weeks exciting episode featured Jefferson Chen from Auckland indie band Goodspace playing some soulful solo tunes. Check out Jeff playing some solo tunes and dancing at epic show "I Don't Wanna Dance Alone" at The Factory Theatre from 20th-22nd April. Also if you're feasting for some live heavy music lead by some badass females come through THIS FRIDAY April 14th at Ding Dong Lounge to see show "Nasty Girls" feat bands Club Ruby, Venom Dolls, Lost Vessels and Cherry Punch. 

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Morning Glory with Sam: Rāpare April 11th, 2024

Today's show begins with new electronica releases from Nice Girl, System Olympia, Vegyn and John Glacier... And – we have a speical guest at 11am, Sophie! She joins me in the studio to play two songs, and chat about her show next Wednesday April 17th at the Wine Cellar – supporting Heavy Chest on their NZ solo tour. Keep it on the b!

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Psychic Glands, 22nd August 2024
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Morning Glory w/ Fern: 18 August 2025

Thanks to The Tuning Fork!

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Coldcut Solid Steel: Saturday November 17, 2018.


In Hour 1 we welcome Parris ahead of his new release 'Puro Rosaceaes' on Idle Hands, which features a remix by Gunnar Wendel under his KMOS alias. His previous releases have been on Tempa, Ancient Monarchy, Hemlock Recordings and The Trilogy Tapes. Over the last few years Parris has secured his position as one of the most forward thinking UK Techno producers. With music from ESG, CVX, Bruce, Mobb Deep, Joy Orbison, Craig Mack, Call Super and Nas, he had this to say about his mix;
"A snapshot of records in my collection which have influenced my own musical output mixed in with some newer bits. Wanted to create more of a mixtape, music in my record collection which comes from loads of different places and spaces but can still make sense with each other in the right context even if the tunes were made 20 years apart."

In Hour 2 we hand over to Virginia the talented DJ, singer, songwriter and producer who has been deeply involved in electronic music for over a decade. Growing up in Munich, the energetic and dedicated artist quickly found her feet in music. Having relocated to Berlin she’s been a Panorama Bar resident since 2012. Her DJ sets fuse warm analog house and electro of the 80s and 90s with off-kilter swinging grooves, layered with spontaneous live vocals that add a unique third dimension. She released her first solo production, the Loch & Hill EP, on Ostgut Ton in 2013, followed by her My Fantasy EP and her debut LP, Fierce For The Night, in May 2016, which was co-produced by Dexter, Martyn and Steffi. She recently did a remix for Steve Bug & Langenberg and said this about her mix;
"I choose some records that I really enjoy at the moment. It is a selection of broken & syncopated tracks who, to me, create an atmospheric and warm soundtrack for cold days ahead.”

Playlist:

PART 1/2 Parris
Come Away -ESG
Protesta Humana - CVX
Soft Focus - Robert Fleck 
Love Dub - Mark System
Brain Freeze - Fracture and Neptune
Sin Skin II - The Binary Collective
Ore - Bruce
Shook Ones Part II - Mobb Deep

Riddim-  Andy Mac and Ossia
Basic Instinct - Quasimoto
81b - Joy Orbison
Get Down (Q-Tip Remix) - Craig Mack
Addictive - Truth Hurts Feat Rakim 
The Amala - Trick Laksa
No Angel - Charli XCX
Arpo Sunk - Call Super
It Ain't Hard To Tell -Nas
Soft Touch - Parris

PART 3/4 Virginia
seahorse outro - aquarian motion
rock steady - andy rantzen
sofia - menti singole vol 2
351 - nation aiwo 004
laura - menti singole vol 2
treebank ep - joakim hellgren
semblance (gnork remix) - mihail p
unknown - silicon scally
harmonic disassembly - la synthesis
fact of the matter - anthony shakir
recovery - reedale rise
warm and sharp - gosub
synthethesizers made of paper - two one four
pocahantus in fur - luke eargoggle
 

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A chat with Akala: May 16, 2019

Akala was raised in Camden, north-west London with Scottish, English and Jamaican whakapapa. He positions himself as having been racialised as black despite being raised by his white solo-mum. Akala is a rapper, a historian, a political thinker and now an author. He was in Aotearoa this week for events in Christchurch, Dunedin and the Auckland Writers Festival (which is still going). Lillian Hanly was lucky enough to spend some time with him before he gave his talk on his new book Natives: Race and Class in the Ruins of Empire. They sat outside Aotea Center just after Akala had finished speaking to a huge group of students about Shakespeare - because, on top of his work on race and class, and holding two honourary doctorates, he owns The Hip-Hop Shakespeare Company. This is a 'music theatre production company aimed at exploring the social, cultural and linguistic parallels between the works of William Shakespeare and that of modern day hip-hop artists'. A number of people actually came up during the interview asking for his autograph.

As Akala positions himself in most interviews, Lillian decided to start the interview by positioning herself - as a Pākehā woman raised with Te Reo Māori as her first language. This positioning she also believes is important as it is the lens through which she sees the world, and informs the work she does. While reading Natives in preparation one of the first things that jumped out at her was Akala’s statement in the introduction, “I was born into these currents, I did not create or invent them and I make no claims to objectivity. I find the whole idea that we can transcend our experiences; and take a totally unbiased look at the world to be totally ridiculous, yet that’s what many historians and academics claim to do.” News media too, claim objectivity, states Lillian. This is where the interview begins.

For reference, the Charles W. Mills quote reads as follows, “But in a racially structured polity, the only people who can find it psychologically possible to deny the centrality of race are those who are racially privileged, for whom race is invisible precisely because the world is structured around them, whiteness as the ground against which the figures of other races -­ those who, unlike us, are raced - appear.” - The Racial Contract, p.76.

 

Photo credit: British GQ

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Wednesday One To Four, Weds 25 September, 2019

 

Featuring: 

we in here... by christoph el' truento as the Play It Out album for the week 
~

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The 95bFM Jazz Show with Dr Mark Baynes and Friends - Tribute to Phil Broadhurst, 10 May 2020

Tribute to Phil Broadhurst