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Marx, Money and Heavy Metal... Cushla Donaldson's solo exhibition, curated by Ioana Gordon Smith, is on now at Te Uru Waitakere. Titled from a local tourist spot but referencing trickle-down theory, "The Fairy Falls" is a nuanced and visually arresting investigation which seeks to expose the functioning of today’s financial markets.

She suggests for working class politics, environmentalism, feminism and struggles for indigenous self-determination to work together on the Left, an element of romanticism which doesn't elicit nostalgia is needed to exceed the grid-like rigours of the rational/markets. In light of this context, we talk to works such as “Affections,” a portrait of Cliff Curtis barefoot on the red carpet, and “The Great Ngaruawahia Music Festival” a documentary of the time Black Sabbath came to Aotearoa and, of course, the omnipresent grid suspended from the ceiling of the galley.

Janine Eisenaecher has been in town. The Berlin based sound artist presented “Eat Your Enemy #4 I don’t want to want” at Audio Foundation on Saturday. The monologue she presented was delivered to the beat and sounds of dripping coke bottles. It channeled John Cage’s lecture “Composition as Process“ (1958), discussing the invisible work of artists and the need for solidarity and care within a highly competitive field. She discussed her ongoing practice with Theo, and told us how Berlin has come to (re)embrace performance art.

We sound out the line between poetry and music with Rachel, as she plays some tunes PJ Harvey’s “The Wind” and a more recent Laura Marling number.

In Hour 1 we welcome Norwegian producer Henning Severud, known as Telephones, who has released on Full Pupp, Sex Tags UFO, Love on the Rocks and Running Back, which saw his first solo album 'Vibe Telemetry' come out in 2016. There's plenty of projects in the pipeline and remixes due for Chmmr, Seb Wildblood and Phil Stroud, and you can catch him playing in Europe in November, before heading onto Asia and a tour of Australia. He told us:

"I`ve listened to Solid Steel-shows since the early 2000s,  so it`s an honor for me to do this mix. In that respect I`ve done things fairly eclectic, though in check with what I`m into on a contemporary level. So, it`s kind of a journey through some of the things I like. Old favourites and new things I've been playing a lot lately, recorded on two Technics 1200s, a Pioneer DJM300 mixer and a burrowed CDJ. The mix was recorded live in three parts as I had some problems finding the time. In the end I've done some effect-overdubs and edited down a few of the tracks in Ableton. "

In Hour 2 we hand over to Locked Groove who recently released on Kompakt’s Speicher series and did a remix for Sebastian Voigt on Outcast Oddity. Since his debut on Scuba's Hotflush label in 2012, he's also released on  Life and Death, Permanent Vacation, Afterlife, his eponymous label Locked Groove records. He'll be playing at ADE for DGTL & Kompakt on 21st October and he had this to say about his mix:

"I made this mix in 2 parts because I wanted to play something else than just the stuff I´d play in a club environment. Every track feels like something from outer space to me and thats also the generally idea and theme of the the mix. Tracks that are from the future or from outer space. In the first Part it´s mostly new tracks and a few unreleased bits by myself. I´ll let you find out where they are. The second part is old and new stuff. Some tracks are personal favorites for years, some are becoming favorites. I hope you enjoy it "
 

Photographer Angus McNaughton chats about his latest solo exhibition Finding Home, on at Lot 23.

In Hour 1 our guest is Chrome Sparks (aka Jeremy Malvin) following the recent release of his debut self titled album on Counter Records. The album is the product of an obsessive approach to production as much it is about a restless hunt for new ideas over several years spent between Malvin’s Navy Yard, Brooklyn studio and a secluded cabin in upstate New York. He spent a month there to escape the distractions of the city, and to distill his process during what became an intensive period of creativity. He is currently on tour with Machinedrum in North America, before heading over to Europe for 6 dates in May. He told us;
"An expedition. embarking from somewhere in the past, metamorphosing into faux-familiarity, while diving into ephemeral moments unknown, rustling from celebration to introspection. 
enjoy."

In Hour 2 we welcome back Paul White who last appeared on Solid Steel in 2013 and is back celebrating the release of his latest album 'Rejuvenate', which is out today on R & S Records. As the title suggests, Rejuvenate marks a rebirth for the South London musician who has abandoned sampling altogether and he wrote, played and produced the album himself, which features Denai  Moore, Shungudzo and his sister Sarah Williams White. He is also known for producing tracks for Danny Brown (amongst others) and was responsible for 10 of the 15 tracks on 'Atrocity Exhibition'. He had this to say about his mix;
"I wanted this mix to really reflect what music is moving me at the moment. I mainly made this mix for myself. There's some new music I'm into, some old music I'm into, and some solo and produced music by myself. Its a window into who I am musically. I love all music so couldn't include everything in only an hour mix obviously, but its a look into how I hear music as all the same thing, the human experience."