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Hiria Anderson-Mita (Rereahu, Ngāti Maniapoto, Ngāti Apakura) is an Ōtorohanga-based painter whose practice depicts the everyday lives of the people of her community – often portraying landscapes or these tender, intimate moments in domestic and communal environments, but also the political and social environment of today that shapes contemporary Māori life.

In her current solo exhibition, PĀ - Te Huarahi ki te Kāinga - Finding My Way Home, on at Tim Melville Gallery, each painting locates and portrays a site of history and connection within the rohe of Ōtewa, Rangitoto Tuhua and the surrounding pā of Ngāti Maniapoto and Rereahu. Tracing the footprints of her tūpuna, Anderson-Mita’s inquiry sees her painting the pā tuna, the kohatu, the maunga, and the awa that were once sources of sustenance for entire communities – bringing these subjects into light as an avenue to share her knowledge of this area with others. 

Sofia had a kōrero with Hiria about the show and her overall practice

Featuring Lawrence Arabia on Your Gig Is Showing chatting about his solo shows and Demo Gods latest project.

Heidi Brickell (Te Hika o Pāpāuma, Ngāti Kahungunu ki Tāmaki-nui-ā-Rua, Rongomaiwahine, Rangitāne, Ngāi Tara, Ngāti Apakura, Airihi, Kōtimana, Ingarangi, Tiamana) is an Ōtaki-based multidisciplinary artist. 

Her current solo exhibition at the Arts House Trust at Pah Homestead, Wā Dividends, takes pieces from its larger body, which was originally commissioned by Director Sophie Davis at Te Whare Toi o Heretaunga | Hastings Art Gallery for the exhibition, Wā We Can’t Afford, having been developed in a six-week residency in Heretaunga as the gallery’s inaugural visiting artist. 

Bringing this body of work into a new space and context, and retitled as Wā Dividends, here Brickell places these fluent ‘exploded paintings’ in conversation with rimurapa (native bull kelp) sculptural pieces as gathered from the shores of Ōtaki and Te Raekaihau in one space – questioning the value of our time in relation to matauranga Māori, capitalism, and our worsening climate crisis; opening up her practice to fluctuate between the spiritual, relational, and existential. 

Sofia caught up with Heidi Brickell about Wā Dividends, beginning their kōrero by asking Heidi about the origins of this body of work and her experience during her artist residency in Heretaunga at the end of last year.

Sofie and Jude fly solo for the first Teenage Frequencies sans Grom! Gone but never forgotten. Some cool tracks and chats this morning :)

peace 👽💋🧙🔮💫

If you are a teenager or know a teenager who would like to come on the show, just get in touch! sofieperkinson@gmail.com