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Do violent extremists have common characteristics and backgrounds? Can we predict who among them will become violent? Patrick James is project manager for Profiles of Individual Radicalization in the United States (PIRUS) at the University of Maryland. The PIRUS dataset contains de-identified, individual-level information on the backgrounds, attributes, and radicalisation processes of nearly 1500 violent and non-violent extremists who adhere to far-right, far-left, or single issue ideologies in the United States, covering the years 1948 to 2013. Maria Armoudian spoke to James about the project and the characteristics that lead to violent extremism.

The Big Q website: www.thebigq.org 

Studio X is an exhibition by Ōtepoti-based artist Graham Fletcher, currently on at Gow Langsford Gallery. 

Fletcher is known for his representations of architecture, interiors, art, and the domestic, bringing together contemporary and customary forms, and intermixing Western high art and indigenous traditions in his paintings. 

Inspired by the likes of Mattisse’s The Pink Studio (1911), in this new body of work, Fletcher reflects on the intimate artist’s studio as his locational subject, transforming the physical space of artmaking into art itself. 

Not depicting any one specific studio or space, the paintings extend an interest in Fletcher’s practice in the ways in which he can visually communicate complex cultural discourses between Western and non-Western settings, often in a contemporary Pacific and New Zealand context, speaking to his own Samoan and European heritage.

Sofia had a kōrero with Graham Fletcher about Studio X and his process. 

Freya Burnett is a Tāmaki-based multidisciplinary artist whose work delves into the thematic exploration of magic and female ecstasy through her sculpture and immersive moving image installation practice. 

Her current exhibition Essence on at the Arts House Trust at Pah Homestead, presented in association with Plomacy Gallery, showcases a mesmerising textural landscape of the senses, through projected imagery and a sonic soundscape created by Fergus Waveforms.

Essence pulls viewers into its feminine vocabulary of imagery that shifts and morphs in space through each stage of the work's existence. Dew-dropped botanical imagery slipping into mirrored jewels and reflecting light like one and the same. Blurring the lines between objects and pulling them into their own enchanting visual realm.

Coming together in an ephemeral fugue, Furgus’s constructed sonic soundscape pulls the work further into its own interior atmosphere. Creating a space of layered visual languages that usher viewers into an alternative world that seeks for a conscious and passionate embrace of enchantment.

Maya caught up with artist Freya Burnett, alongside accompanying sound artist Fergus Waveforms, about the show.

Kelly chats with Lian-Hong Brebner from AUT about a programme that pairs up current university students with Year 13 students with a refugee background.