Search results for 'WA 0812 2782 5310 Biaya Pembuatan Pagar Pintu Geser Murah Serengan Solo'

August Ward is an artist who grew up in Tāmaki Makaurau, whose primarily painting practice explores the visual signature and emblems of affluence and desire, consumption and the idealised female form – existing in the uncanny valley of womanhood, letting the contrast and intersection of imperfection and glamour lead the work both practically and conceptually. 

Her current solo exhibition at Ivan Anthony, World of Interiors, sees Ward furthering her exploration in this realm of subject matter, expanding her painting and drawing practice in scale and form, bringing these sculptural qualities into the works and space surrounding. Crystals adorning the canvas to form a necklace, ledges attached at the base of others with taxidermied mice, and a cavity for a Miss Dior perfume to perch, these symbols become physical adornments to the glamour of their pictorial counterparts. Pushing and pulling each painting’s textural potential, the idea of the surface sits at the forefront of her relationship with oil paint and graphite as her primary mediums. 

Sof caught up with August about World of Interiors ahead of its opening tonight.

Hayley Theyers chats with Aimee about her photobook 'Boat with No Ocean' and her first solo exhibition.

Marx, Money and Heavy Metal... Cushla Donaldson's solo exhibition, curated by Ioana Gordon Smith, is on now at Te Uru Waitakere. Titled from a local tourist spot but referencing trickle-down theory, "The Fairy Falls" is a nuanced and visually arresting investigation which seeks to expose the functioning of today’s financial markets.

She suggests for working class politics, environmentalism, feminism and struggles for indigenous self-determination to work together on the Left, an element of romanticism which doesn't elicit nostalgia is needed to exceed the grid-like rigours of the rational/markets. In light of this context, we talk to works such as “Affections,” a portrait of Cliff Curtis barefoot on the red carpet, and “The Great Ngaruawahia Music Festival” a documentary of the time Black Sabbath came to Aotearoa and, of course, the omnipresent grid suspended from the ceiling of the galley.

Janine Eisenaecher has been in town. The Berlin based sound artist presented “Eat Your Enemy #4 I don’t want to want” at Audio Foundation on Saturday. The monologue she presented was delivered to the beat and sounds of dripping coke bottles. It channeled John Cage’s lecture “Composition as Process“ (1958), discussing the invisible work of artists and the need for solidarity and care within a highly competitive field. She discussed her ongoing practice with Theo, and told us how Berlin has come to (re)embrace performance art.

We sound out the line between poetry and music with Rachel, as she plays some tunes PJ Harvey’s “The Wind” and a more recent Laura Marling number.

In Hour 1 we welcome Norwegian producer Henning Severud, known as Telephones, who has released on Full Pupp, Sex Tags UFO, Love on the Rocks and Running Back, which saw his first solo album 'Vibe Telemetry' come out in 2016. There's plenty of projects in the pipeline and remixes due for Chmmr, Seb Wildblood and Phil Stroud, and you can catch him playing in Europe in November, before heading onto Asia and a tour of Australia. He told us:

"I`ve listened to Solid Steel-shows since the early 2000s,  so it`s an honor for me to do this mix. In that respect I`ve done things fairly eclectic, though in check with what I`m into on a contemporary level. So, it`s kind of a journey through some of the things I like. Old favourites and new things I've been playing a lot lately, recorded on two Technics 1200s, a Pioneer DJM300 mixer and a burrowed CDJ. The mix was recorded live in three parts as I had some problems finding the time. In the end I've done some effect-overdubs and edited down a few of the tracks in Ableton. "

In Hour 2 we hand over to Locked Groove who recently released on Kompakt’s Speicher series and did a remix for Sebastian Voigt on Outcast Oddity. Since his debut on Scuba's Hotflush label in 2012, he's also released on  Life and Death, Permanent Vacation, Afterlife, his eponymous label Locked Groove records. He'll be playing at ADE for DGTL & Kompakt on 21st October and he had this to say about his mix:

"I made this mix in 2 parts because I wanted to play something else than just the stuff I´d play in a club environment. Every track feels like something from outer space to me and thats also the generally idea and theme of the the mix. Tracks that are from the future or from outer space. In the first Part it´s mostly new tracks and a few unreleased bits by myself. I´ll let you find out where they are. The second part is old and new stuff. Some tracks are personal favorites for years, some are becoming favorites. I hope you enjoy it "