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On Isthmus'n That with Desley Simpson, the Deputy Mayor speaks to Rachel about the election results and what they might mean for local government, the Auckland Council’s six demographic advisory panels outline for the next three years and an update on the Tāmaki Makaurau Tauawhi Kaumātua Age-friendly Auckland Action Plan. Buzz Moller from Voom chats about the Save the b fundraising gig, and his time at the station. On Stage Direction, Alice Canton speaks to Louise Jiang and Nuanzhi Zheng are in the studio to talk about their upcoming work, Chick Habit opening 24 October at Basement Theatre. On Ready Steady Learn, Amy Garrett from the Auckland Bioengineering Institute is in the studio to talk about her research into investigating the uterus and how in the end we might be able to help conditions like endometriosis, extreme period pains and pre-term labour. Whakarongo mai nei!

Last week the Green Party’s Tamatha Paul made comments about police presence in Wellington, particularly how increased police activity made some feel unsafe. She also noted some discriminatory and harmful behaviour from police officers towards Wellington’s homeless population. These comments, presented at a panel hosted by the University of Canterbury’s Greens and Peace Action Ōtautahi, were Paul restating feedback she had received from her constituents in Wellington central. 

The response to Tamatha Paul’s comments was extremely critical from all sides of the political spectrum, involving feedback such as “insane” from prime minister Christopher Luxon, “unwise” and “stupid” from Labour leader Chris Hipkins, and “just weird” from ACT leader David Seymour. The comments and their responses lead to a series of articles across all major New Zealand news networks. 

In our weekly catchup with the National Party, Wire host Castor spoke to MP Tom Rutherford about the substance of Tamatha Paul’s comments and whether the seemingly disproportionate reaction is appropriate.

Life in Forms is a survey exhibition of Pauline Kahurangi Yearbury’s practice, currently showing at Te Uru Waitākere Contemporary Gallery. It is the first solo exhibition of Yearbury’s work in a public art gallery. 

Yearbury is considered a leading practitioner in Māori modernist art and was one of the first Māori artists to introduce Māori mythology into contemporary art. Her work is characterised by a bold and illustrative style, of which she is most renowned for her incised wooden panels featuring figures from Māori whakapapa narratives.

She was one of the first Māori women to attend the Elam School of Fine Arts in Auckland, where she worked later as a tutor too. 

Sofia had a kōrero with curator Hester Rowan about Yearbury’s life, practice, and legacy as well as Hester’s curatorial process for putting together Life in Forms

Ruby Wilkinson is an emerging artist whose paintings explore aspects of the environment, specifically those close to her and her memories. Leaning into her surroundings as well as her painterly intuition to produce these beautiful works that dance with bold swooping gestures, and vibrant earthy colours that sing out to those saturated within nature.  

Her work Parade is currently showing as part of A Moment to Hold at The Arts House Trust at Pah Homestead. An exhibition bringing together seven female artists engaged in painting and drawing, featuring works by brunelle diaz, Hannah Ireland, Christina Pataialii, Johanna Pegler, Kate Small, Barbara Tuck, and Ruby Wilkinson. 

Wilkinson's work Parade showcases a stunning large scale sculptural curtain, made up of 8 calico panels that have each been treated as a painting in itself. Coming together to form a breathtaking display of movement and colour, that pulls viewers into its world of warm sun sets and memories—allowing a moment of hold within the fleeting memories of time.