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Various Artists w/ Beth and Sofia: January 31st, 2025

Today on Various Artists!

Beth had a kōrero with Aotearoa photographer Murray Savidan about his new book STOP: Look Both Ways (Ugly Hill Press). The book showcases some of the best of Murray’s photographs from the 1960s to now. STOP: Look Both Ways is out now at independent bookstores near you.

Sofia had a kōrero with writer, director, and producer of documentary The Haka Party Incident, Katie Wolfe, about the largely forgotten piece of history of the Haka Party Incident and her filmmaking process. 

The Haka Party Incident is now showing in cinemas across Aotearoa. If you want to hear more from Katie Wolfe about the film, there is also a Q&A on the 6th February (Waitangi Day) at Matakana Cinemas.

Dance choreographr Xin Ji joins Beth in the studio to discuss Body Show which is a physical dance theatre piece as well as his debut solo show. The Body Show is on at Q Theatre from the 18th-22nd February as part of Auckland Pride Festival. Tickets from Q Theatre’s website.

And to top things off, your weekly Art Guide! Play it back.

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Various Artists w/ Beth and Sofia: 31st January, 2025

Beth had a kōrero with Murray Savidan about his new book, STOP: Look Both Ways, and his extensive photography career.

Sofia had a kōrero with writer, director, and producer of The Haka Party Incident, Katie Wolfe.

And for Stage Direction this week, Xin Ji joins Beth in the studio to discuss Body Story - a physical dance theatre piece - as well as his debut solo show. 

Whakarongo mai friends <3 

bCast
Ruin on the Cascade w/ Ayesha Green: 16th May, 2025

Ruin on the Cascade is Ayesha Green’s (Ngāti Kahungunu ki Heretaunga, Kāi Tahu, Pākehā) first solo exhibition with Season Aotearoa. 

The title refers to a faux ruin in Stowe Gardens, a Georgian landscape garden in Buckinghamshire established in the early 18th century by British army officer and Whig politician Richard Temple, the 1st Viscount Cobham. Using the Stowe Gardens as a framework, Green explores a range of subjects, including class, land use, knowledge systems, ethics, national identity, and British imperialism through her painting and sculptural practice. 

Sofia had a kōrero with Ayesha about Ruin on the Cascade, her research and thinking behind the works, and her practice as a whole

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Alag w/ Tarika Sabherwal: 27th June, 2025

Alag is artist Tarika Sabherwal’s first solo exhibition at Season Aoteaora. 

The title itself has a double meaning, by which it can be read as either alāg, as in the Hindi word for separate, apart, parted, or different; or a lag, as in a lag in communication or a glitch in some sort of system. 

The images are drawn from Hindi iconography, continuing a theme in Sabherwal’s practice of exploring and reimagining well-known motifs, as seen in paintings of horses and felines, for example. 

The works show a continuation of a side of Sabherwal’s practice which uses an airbrush tool to paint onto raw canvas, creating a dyed effect and bold contrast. 

Sofia had a kōrero with Tarika about her practice and Alag. 

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Various Artists w/ Sof and Maya: 5th December, 2025

Maya caught up with artist Michael Proseé about his solo exhibition Scallop Immersion at Sanc Gallery which opened this week

And Sof had a kōrero with artist Brunelle Dias about her practice and work in A Moment to Hold, a group show currently on at the Arts House Trust at Pah Homestead. 

Whakarongo mai!

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Various Artists w/ Sof and Maya: 6th March, 2026

Sof catches up with Skye Lunson-Storey (Whakatōhea, Ngāti Maniapoto, Ngāti Tūwharetoa) about her solo exhibition currently on at Window Gallery, Te Mauri o te Wai.

And Maya catches up with Briana Jamieson about Garden Day currently on at Sanderson Contemporary. 

Whakarongo mai <3

bCast
Artbank: February 12, 2017

This week we heard from Jeremy Cosmo Potts, about his first ever solo art show, which is a sort of hilarious/slightly hideous selection paintings and drawings, full of frogs, crab claws, watering cans, sex and debauchery. Then we talked to Sarah Mohawk about her show at Window Gallery, called Electronic Super Highway. Its stems from a paper titled ‘Autonomous Vehicles Need Experimental Ethics: Are We Ready for Utilitarian Cars?’ and explores the ethics involved when a self driving car is about to hit a group of people. Finally we hear from Dan Sanders about his contribution to the show titled "I hate you, I hate you, I hate you, because I don’t hate you; I love you…", which is associated with the Auckland Pride Festival.

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Artbank: 30 April, 2017

Ayesha Green's solo show "The Spirit of the Thing Given (Māori)" is on now at RM Gallery. She also has a show at Papakura Art Gallery opening on Saturday, and work in Artspace. We had a hearty chat about the context from which her paintings and ceramics spring - a Māori history of tourism in New Zealand, the relationship between the earth and the crown, the likes of Sherpa Tenzing's role in our national consciousness. 
We also recognise the significant role the Vito Acconci (January 24, 1940 – April 27, 2017)
played in the world of performance and installation art, and architecture. Theo gives us a bit of a run down and we hear some clips from his work.

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Who's telling 'porkies' now?

We speak to lawyer Graeme Edgeler about The Taxpayers' Union 'invoicing' Green Party co-leader Metiria Turei, saying she must pay back the "money she stole from taxpayers", before she can have any credibility as a Member of Parliament. They put the figure at $57,000 but Edgeler says that number doesn't add up.

The statment is referring to Turei's admission that when she was a solo mum in the early 90's she lied to WINZ about her living situation so that her benefit wouldn't get cut. 

We then speak to the Executive Director of The Taxpayers Union about Edgeler’s concerns with the figures, and our own calculations which showed the figure to be much lower.

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Artist Raukura Turei on her show SELF and how she got there

Raukura Turei, of Ngaitai ki Tāmaki and Ngā Rauru is a registered architect who has found her visual art practice a powerful tool to clearly communicate ideas without the constraints found in architecture. Turei is about to launch her first ever solo exhibition in a gallery.

Currently she has a show at Objectspace but at the beginning of next month, her own show, titled Self is her way of giving back to women around her. It offers an intimate reflection of the body, and on our embodied relationships to space and each other. The works are a cathartic meditation saturated in the female form, sitting between self expansion and self obsession.

I spoke with her for quite a long time about how she came to be an artist as well as an architect and how these works came about. If you want to hear the full interview, check out the bcasts on our website. For now, here’s a section from the interview where she tells us about the show at Objectspace, her more recent influences, and the upcoming show.